A space-rave Soul Train complete with cherubic bells, a vocal sample from a 1968 dial-a-poem phone service and a devastatingly beautiful breakdown, it’s no surprise that the song is up for best dance recording at the 2020 Grammy Awards. duo went disco in album single “Got to Keep On,” to delightful results. On their excellent ninth album, No Geography, the legendary U.K. Now over two decades into the game, The Chemical Brothers are as good as ever. The Forbes list’s top earning DJs of 2019 further blurred the line between dance and pop with the track, a lovelorn ballad that served as a highlight of their major World War Joy tour this year. The duo clocked a major hit this year with “Takeaway,” a collab with vocalist Lennon Stella and electronic phenom Illenium. It’s The Chainsmokers’ world, we’re just out here inhaling the second-hand smoke. The Chainsmokers & Illenium Feat. Lennon Stella, “ Takeaway“ Beyond the surface layer of fun and cheekiness is the artist’s experience being “vilified or objectified” as a black man. “Sexy Black Timberlake,” from his Black Moses EP, is made both for dancing and boulevard cruising, but like many dance greats, the track also makes you think. The Compton-raised artist combines laidback rap bars with silky house grooves and nods to his hometowns gangster rap origins with a West Coast spin. ![]() ![]() Simply put, Channel Tres’ music sounds impossibly cool. Its rich horns and spinning rhythm appeared as a welcome balm in October, proving Caribou can find a home in any year. Built around a sample from Gloria Barnes’ 1970s deep cut of the same name, “Home” foregrounds Snaith’s sensitive vocals in a composition that sits outside any trends of the moment. It speaks to Dan Snaith’s supreme confidence that his first Caribou track since 2014 clocks in at just two minutes and 36 seconds. A hypnotic bass-laden track with a motivational narrative that feels especially at home on a dusty dancefloor, “Be Someone” is the type of electronic track that lingers in your head long after the sun has come up and the music has stopped. MEGAN VENZINĬamelPhat and Jake Bugg collab “Be Someone” is full of sexy, rolling basslines, haunting melodies and reverberating vocals. Though softened by Avicii’s signature upbeat harmonies and a pop-leaning hook, “S.O.S” will stand as a lasting reminder that there’s sometimes more to a song than meets the ear. There’s no denying that Tim Bergling had his demons, and “S.O.S” plays back like a not-so-cryptic cry for help. ![]() But despite the sunny lyrics and seemingly happy strums, the emotional track strikes a melancholy tone. Featuring the luscious vocals of soul singer Aloe Blacc, the lead single off Tim sounds a lot like an invitation to come out of the darkness and into the light. KAT BEINĬompleted from a MIDI file left behind by the late producer, “S.O.S” is the crown jewel of Avicii’s posthumous third studio album. “Between The Lines” is the first single from Amtrac’s forthcoming sophomore LP Oddyssey, which he says will include more vocal-driven dance-pop, with a myriad of vibes from indie, post-rock and heavy electronics. The music video plays on themes of obsession, depicting a man consumed by the never-ending search for UFOs. Interstellar synth lines glitter over soulful piano chords, lone guitar wails and driving bass rhythms, while Amtrac grabs the mic to deliver an infectious vocal designed in the style of a sample. It’s an ode to the beauty of repetition, played out in sonic loops and building layers. “Between The Lines” is a return to indie-dance force for the anything-goes producer. The year was almost over, but Amtrac came through in the early half of December with one last groovy earworm we just had to put on our list.
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